During the last century the role of the dancer has been changing in relation to both their input in the creative process, as well as their skills. This changes occurred simultaneously with the changes in choreographers' vision on the creative process. In Dancing Dutch Coos Versteeg outlines types of choreographers and dancers in relation to their role in dance making. Beside un-led collectives, there are three types of choreographers: the autocratic choreographer who does not take dancers' individuality as a point of departure, but rather has them perform his movements; the facilitating director who is the leader providing a framework within which the dancers can exercise their personal qualities; the stimulator allows a personal interpretation by a dancer (96).